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Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman.
The combination of screwball dynamics and the garishness of the 1980s is perfectly calibrated and fun.
During its theatrical run—which stretched into a summer that also saw the white-supremacist Charlottesville rally— Get Out felt like the only movie speaking to a deepening divide.
This would link to what seems to be a normal pattern for releases when it comes to streaming shows.
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